The stone mason, Andrea di Pietrodella Gondola, was already thirty years old when he was given the nickname, “Palladio” by a humanist patron, who adopted him as protégé when working on his villa. The name stuck. Deeply interested in antiquity, Palladio published his famous “Four Books of Architecture” in Venice in 1570. There were already several books on how to build like the Romans, but Vitruvius came without pictures and didn’t match the classical ruins, and none of the others was at all clear what to do in practical situations, such as how to achieve entasis on a column without arcane calculations. The stone mason, however, made only suggestions which would work on site, since he was a practical man, and his illustrations were clear to follow. So his books on architecture, though not the first, proved extremely popular. Inigo Jones and Christopher Wren owned copies, but the real fashion for Palladio began in the eighteenth century when he was seen as the builder’s bible by the Palladian movement. Thus nearly two centuries after he had published them, his volumes were translated into English, and one can hardly visit a National Trust House at the weekend without coming face to face with his influence. After a brief account of his life and major works, the lecture concludes with some famous English examples of Palladianism including Chiswick House and Holkham Hall, silver candle sticks, and even William Kent’s royal barge for Prince Frederick!

Although offered as a one hour lecture, this subject is also available in fuller form as a study day. Illustrated throughout with original colour photographs by the lecturer, except where otherwise stated.

Much more is now known about the Tudor decorative arts which would have furnished Henry the Eighth's Palace. However, today's visitor sees Hampton Court much changed. Christopher Wren began to transform it into a French palace in the style of Louis the Fourteenth, and later builders too have altered the Tudor buildings to suit contemporary taste. This talk explains the main changes and the context in which they were made. It is suitable for those about to visit Hampton Court and does not duplicate information given by the Palace guides.

Carrara marble was already known in Roman times, and its nature and limitations are peculiarly significant in understanding the sculpture of Michelangelo. His wet nurse was the wife of a stone mason, and despite his own more elevated family, the young Buonarotti made it his business to keep close to the quarries, for example when selecting personally the blocks for major projects. His sonnet suggests he could merely glance at a piece of marble and see concealed within it a finished sculpture, only awaiting its liberation by his removal of the surplus stone. But reality was not so simple....

A controversial lecture which sets the sculptor in his historical context

The schoolboy Rodin was thought to be thick-witted, when in fact he was short sighted, and could not see the blackboard. Probably for that reason he was sent at fourteen to the “Petite Ecole” where decorative arts workmen were trained for a career carrying out other people’s designs. Frustrated in his attempts to graduate to the Ecole des Beaux-Arts (where fine artists studied) he had to earn a living making bases for plant stands and painting ceramics for the Gobelins factory. Employed on such menial work, he...

Parts of the Underground go back to the year after Prince Albert died, but then the trains were pulled by steam engines, so the idea didn’t catch on. Despite their best efforts, the smoke made the tunnels uninhabitable. With the introduction of heavy electrical machinery in the 1890’s, the Underground suddenly became a practical way of commuting, and the system was expanded using the Art Nouveau style of design. Traces of this early appearance can still be detected. However the classic period of the London Underground was between the wars, when it became a unified system and expanded...

Idolatry in Archaic Greece

Using bronze chisels, with huge effort, stone men were carved from the rock, right down to the soles of their feet. Then they were stood in separate stone bases which had footprint depressions to receive them. After the appropriate rites the God was believed to take up residence in the carving, which even the sculptor then worshipped, but the slightest damage (lost finger etc) destroyed the magic; so many near perfect examples are found abandoned. The archaic Greeks lived in mortal fear of hubris- pride would attract the wrath of the gods. There are no portraits at...

Kings and Queens usually have several palaces, but Windsor is so much the home of the British Royal family that they have adopted it as their surname. William the Conqueror had already made a note of this commanding height, where a high chalk ridge overlooks the Thames Valley, though much of what he built on the mound was wood. A more permanent round tower of stone was erected on the same site by Henry II; but Edward III’s work at Windsor was the most expensive building project undertaken anywhere in England during the Middle Ages. This cost nearly twice the Crown’s total annual...